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Post by davidhanners on Oct 19, 2007 16:31:21 GMT -5
So here's a new one, the first one I've written in awhile. It's based on a true story, an attempted train robbery a couple of miles west of my hometown that happened back in 1875. It was unusual in that the two robbers were wearing custom-made suits of steel armor. Although several people were arrested for the crime over the following days and weeks, all either had alibis or went to trial and were acquitted.
The killers were never caught. There is a belief in some parts that the killers may have been the James brothers, based on the physical description of one of the men. And the brothers' whereabouts at the time of the attempted robbery has not been clearly pinned down by historians, so they could've been in the area; they were known to hang out in the region.
I'm sure there'll still be some tweaks to the tune, and I may figure out some way to increase the tension near the end. Insights and suggestions welcome.....
THE VICIOUS LONG POINT MURDER by David Hanners The eastbound express slowed to a stop Just before midnight Milo Eames was the engineer On the Vandalia train that night Two men with pistols jumped up to the cab Robbery was their intent Milo Eames did as he was told but They still shot him dead chorus: Did you hear 'bout the murder The murder at Long Point The sheriff can search the whole Wabash Valley But I'm thinking it was the James boys These weren't just any robbers No, there was something unique Each man wore custom-made steel armor In the light of the cab, my, how it gleamed John Burke was the express agent Alone in the baggage car Everything valuable was in that safe That he alone did guard The robbers used guns, axes and picks Trying to get to that safe But the car's oak walls denied them So they gave up and made their escape They vanished into thin air 'Least that's how it seemed But the sheriff vowed to bring them in For the murder of Milo Eames (chorus) A search party tracked two men for a week Through the black swamps of the Embarras But when they got caught they had alibis Which they amply expained to the law On July 12 a funeral train The kind fit for a king Left Terre Haute for Effingham Carrying the body of Milo Eames Time dragged on, days turned to months Months turned to a year They never brought those men to justice For killing that brave engineer (chorus and end)
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Post by davidhanners on Oct 22, 2007 8:00:26 GMT -5
Here's the first major re-write, and the way I debuted the song last night at the open mike at the Coffee Grounds. The song seemed to have gone over well, although it was a full house and the place was kind of noisy. I'd still like to cut another verse or two to make the song shorter, but there are certain elements to the story that have to be communicated and I haven't figured out how to tell all those elements with the song being any shorter.
So here it is:
THE VICIOUS LONG POINT MURDER by David Hanners
The eastbound express slowed to a stop Just before midnight Milo Eames was the engineer On the Vandalia train that night
Two men with pistols jumped up to the cab Robbery their intent Milo Eames did as he was told but They still shot him dead
chorus: Did you hear 'bout the murder The murder at Long Point They'll search the Wabash Valley end to end But I'm thinking it was the James boys
Jim Snavely, the brakeman, looked at the robbers Could not believe it was real Each man was wearing custom-made armor Forged from the finest steel
John Burke was the Adams Express agent Locked in the baggage car Some money and gold was in that safe That he alone did guard
The robbers used guns, axes and crowbars Trying to get to that safe But they were denied by the car's thick oak walls So they gave up and made their escape
(chorus)
A posse tracked two men for a week Through the black swamps of the Embarras But both men had solid alibis Which they amply expained to the law
On July 12 a funeral train Eight cars fit for a king Left Terre Haute for Effingham With the body of Milo Eames
Time dragged on, days turned to months Months turned to a year They've yet bring those steel men to justice For killing that brave engineer
(chorus and end)
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Post by Cornflake on Oct 22, 2007 12:55:46 GMT -5
David, I like songs that tell a story and I like this one. I wonder if it might need a summing-up verse...not necessarily "the moral to this story" but something that conveys why you're telling us about this event. What hits me is that the engineer died for nothing. You might consider pointing to that as you conclude. (Or not.)
A nitpick: you talking about killing that "brave" engineer but unless I missed something, he displayed no bravery.
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Post by davidhanners on Oct 22, 2007 16:34:44 GMT -5
I've thought about the summing-up issue, and haven't really figured what to sum up. The crime remains unsolved. From the articles I've read on the incident, there's no indication of just why the robbers shot Eames since, as the song notes, he did what they told him to do. Then again, stories of Eames' cooperation may have been something Snavely came up with just to make the whole thing sound worse.
As for calling Eames brave, I don't know that he did anything that might be considered courageous, but it seems like a typical period thing to say about someone killed by train robbers.
I've also thought of seeing if there's a way to work my grandfather into the song. He actually knew Frank James. In his later years, Frank James worked as a race starter, and my grandfather worked summers as a jockey. He was a small guy.
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Post by Cornflake on Oct 22, 2007 17:13:37 GMT -5
Maybe you should consider a verse on how there are lots of unanswered questions in the universe and here's one more. I think it needs something at the end to give the story some point. There are lots of directions you might take.
This reminded me of Four Rode By, which Ian and Sylvia did. The bandits act like bandits and they get hung. The final verse tells us how one of the bandits' relations killed a lot of Germans in WWI. "It's wild old family."
Pretty Boy Floyd ended with the wonderful lines about how some rob you with a sixgun, some with a fountain pen.
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Post by Marshall on Oct 22, 2007 19:47:55 GMT -5
I liked the re-write except for the last stanza. So far the shiny steel suits are just a novelty. Might be nice if they were a metaphor for something.
I think its quite appropriate for the narrator to refer to Milo as brave. (Boy, is Milo Eames a great period name. Jim Snavley too. Somehow you expect a guy with the name Milo Eames to be an upright kind of guy. Jim Snavely might be expected to be more of a shady character.)
Tying your grandfather in to Frank James would be cool; especially if he "remembered" some shiny piece of steel or something. (Of course that'd be stretching the truth.)
Somehow I want to hear a moral. (or some meaning to the story). Even if it's just how fickle the finger of fate can be. Was Milo married ? Do we know something about him that makes this more personal ? I suppose some of the charm is how true the the original acount it is. It seems to be missing a punch line. "There but for the grace of God" or something.
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Post by Cornflake on Oct 22, 2007 20:26:36 GMT -5
Trust Marshall's reactions more than mine. But we seem to concur in wanting something to tell us why we should attribute some significance to the story.
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Post by davidhanners on Oct 23, 2007 10:10:02 GMT -5
Thanks for the comments. I do think I need to figure out some better way to end the song. As it is, it "ends," while it needs to resolve in some way.
Not only was Eames married, but his wife was pregnant when he died, I just noticed in the article that I cribbed the song from. How I missed that, I have no idea. But something like that should be mentioned in the song.
And I have to make a correction in the lyrics. Re-reading the article, I see that Snavely was the fireman, not the brakeman.
The funeral train carried Eames' casket and 500 mourners. Eames' parents lived in Effingham, so that's where he was buried.
One of the odd aspects to the story is how the authorities kept arresting and charging anyone and everyone, but all were eventually cleared. The article mentions eight suspects by name or profession who were arrested, and also says "other suspects were detained" and questioned and then eventually freed.
The James-Younger gang knocked over a bank in Mississippi and a train in Kansas in December 1874, then was curiously inactive for the next 19 months. They next hit a train in Missouri in July 1986 (a year after the Long Point attempt) and got away with $15,000. They hadn't been considered suspects in the Missouri train robbery until a gang member ratted the boys out to police.
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Post by Cornflake on Oct 23, 2007 11:05:07 GMT -5
"The James-Younger gang knocked over a bank in Mississippi and a train in Kansas in December 1874, then was curiously inactive for the next 19 months. They next hit a train in Missouri in July 1986 (a year after the Long Point attempt) and got away with $15,000."
Man, those guys were long-lived!
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Post by davidhanners on Oct 23, 2007 11:30:31 GMT -5
The 1986 iteration was a planned "reunion tour," but the big names didn't participate. A couple of the bit players in the original gang took the gang out on tour and used the original name. Jesse and Cole sued, and the new group was forced to use the name "James-Younger Revisited."
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Post by loopysanchez on Oct 24, 2007 13:47:48 GMT -5
Sounds like you've got a good direction for fine-tuning this one, David.
One thought I had is, the word "amply" just doesn't seem to fit the feel of the lyrics. It just sounds a little sterile to be used in a song about a 19th-century train robbery and murder. I'd just drop it and say "But both men had solid alibis/Which they explained to the law". Don't know if that would totally kill your meter, though...
And while rhyme scheme is a matter of personal taste, I can see where some listeners might be put off by the mix of non-rhyme, forced rhyme, and true rhyme stanzas. (Never seemed to hurt Paul Simon though, so what do I know?) ;D
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