Sunday Hymnals with piano

[t-bob]

This is a great piano and cello....
Dana Cunningham
I’m trying to play some of those

I just sold my piano It was too large for airplane baggage
I’m going to have to buy another one soon

[Hobson]

I enjoyed that. A nice transition to the rest of the Internet after watching on line church service.

[t-bob]

And a different hymn with jazz - Oscar Peterson

[david]

Hymn to Freedom
When every heart joins every heart and together yearns for liberty,
That's when we'll be free.
When every hand joins every hand and together moulds our destiny,
That's when we'll be free.
Any hour any day, the time soon will come when men will live in dignity,
That's when we'll be free.
When every man joins in our song and together singing harmony,
That's when we'll be free.

[theevan]

Dec 20, 2020 12:51:28 GMT -5 t-bob said:

This is a great piano and cello....
Dana Cunningham
I’m trying to play some of those

I just sold my piano It was too large for airplane baggage
I’m going to have to buy another one soon

Gosh, that is beautiful! I'm listening to more of her now. Thanks for posting that, Bob.

[t-bob]

Here’s a really great one
And I don’t like opera
This one makes me cry all the time



There’s a great documentary with Luciano Pavarotti

[jdd2]

[jdd2]

[jdd2]

[coachdoc]

This is my favorite piece of music, it is enhanced when it is seen in context in the movie Diva. Sections of it replay throughout the movie. It is copy protected in ways that irregularly cause it to not play. If that happens here I apologize, but it is truly gorgeous, and makes the movie worth watching just for the piece of music alone.

[coachdoc]

Here is the entire plot lifted from Wikipedia. The film is actually this convoluted, and wonderful. Spoiler alert. This next paragraph tells the whole story.

A young Parisian postman, Jules, is obsessed with opera, and particularly with Cynthia Hawkins, a beautiful and celebrated American soprano who has never allowed her singing to be recorded. Jules attends a recital at the Théâtre des Bouffes du Nord in Paris, where Hawkins sings the aria "Ebben? Ne andrò lontana" from the opera La Wally. He illicitly makes a high-quality bootleg recording of her performance using a Nagra professional tape-recorder. Afterwards, he steals the gown she was wearing from her dressing room.

Later, Jules accidentally comes into possession of an audio cassette with the recorded testimony of a prostitute, Nadia, which exposes a senior police officer, Commissaire divisionnaire Jean Saporta, as being the boss of a drug trafficking and prostitution racket. Nadia drops the cassette in the bag of the postman's moped moments before she is killed by Saporta's two henchmen - L' Antillais and Le Curé ("The West Indian" and "The Priest").

Two police officers are now after Jules, seeking Nadia's cassette, although they only know that it incriminates a prominent gangster and not that the gangster is actually their superior. Jules is also being hunted by Saporta's two murderous henchmen. A third party seeking him are two Taiwanese men, who are after his unique and valuable recording of Cynthia Hawkins. Jules seeks refuge from all these pursuers with his new friends, the mysterious bohemian Serge Gorodish and his young Vietnamese-French muse, Alba.

Feeling guilty, Jules returns Cynthia Hawkins' dress. She is initially angry, but eventually forgives him. Cynthia is intrigued by the young Jules' adoration and a kind of romantic relationship develops, expressed by the background of the piano instrumental, Promenade Sentimentale by Vladimir Cosma, as they walk around Paris in the Jardin des Tuileries early one morning. The Taiwanese try to blackmail Cynthia into signing a recording contract with them. Although they don't yet possess Jules' recording of her performance, they claim they do and threaten to release it as a pirate record if she doesn't cooperate; she indignantly refuses.


The Phare de Gatteville, a lighthouse on the Normandy coast, was the filming location for the safehouse Jules was taken to by Gorodish and Alba[5]
Jules is spotted and chased by the two police officers, but he escapes by riding his moped through the Paris Métro system. He takes refuge in the apartment of a prostitute he knows, but flees when he realizes she is part of Saporta's criminal network - he leaves just before L' Antillais and Le Curé arrive. The enforcers chase him on foot and Jules is shot and wounded, but Gorodish rescues Jules just before Le Curé can kill him. Gorodish and Alba drive Jules to a safe house outside Paris, a remote lighthouse, in Gorodish's antique Citroën Traction Avant.

Gorodish plans an elaborate scheme. Now in possession of the recording that incriminates Saporta, Gorodish uses it to blackmail him. Commissaire Saporta pays off Gorodish, but places a remote control bomb under his car. The Taiwanese blackmailers are also pursuing Gorodish and immediately steal the tape and his car. Saporta sets off the explosion, inadvertently killing the two Taiwanese, but not Gorodish. Gorodish drives away in a second Traction Avant that he had hidden in advance.

Later, Jules returns to Paris to give Cynthia his bootleg recording and lift the threat of blackmail from her. But he is abducted from outside her hotel by L'Antillais and Le Curé who were lying in wait for him; they take him to his loft apartment with the intention of killing him there. Police officer Paula, who has been keeping Jules' apartment under surveillance, saves him by killing Le Curé and wounding L'Antillais. Saporta then appears, kills his surviving henchman, and attempts to kill Jules and Paula, intending to make it look like his dead henchman shot them. Once again Gorodish saves the day by turning out the lights and making Saporta fall down an elevator shaft in the dark.

In the film's final scene, Jules plays his tape of Cynthia's performance for her and she expresses her nervousness over hearing it because she "never heard [herself] sing."