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Post by t-bob on Nov 7, 2022 13:45:47 GMT -5
Thanks, epaul. I also want to thank all the little people. Without them and me this wouldn't have been possible. "the little people" - the dwarves and the trolls It's just a little reasonable humor....... not my snarky humour
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Post by t-bob on Nov 6, 2022 11:28:13 GMT -5
He was an amazing actor, playwright, musician. I wish I’d seen him.
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Post by t-bob on Nov 6, 2022 1:24:24 GMT -5
Born Samuel Shepard Rogers III, American actor, playwright, author, screenwriter, and director whose career spanned half a century. He won ten Obie Awards for writing and directing, the most by any writer or director. He wrote 58 plays as well as several books of short stories, essays, and memoirs. Shepard received the Pulitzer Prize for Drama in 1979 for his play Buried Child and was nominated for an Academy Award for Best Supporting Actor for his portrayal of pilot Chuck Yeager in the 1983 film The Right Stuff. He received the PEN/Laura Pels Theater Award as a master American dramatist in 2009. New York magazine described Shepard as "the greatest American playwright of his generation." Shepard's plays are known for their bleak, poetic, surrealist elements, black comedy, and rootless characters living on the outskirts of American society. His style evolved from the absurdism of his early off-off-Broadway work to the realism of later plays like Buried Child and Curse of the Starving Class. Early life - Shepard was born in the Chicago suburb of Fort Sheridan, Illinois. He was named Samuel Shepard Rogers III after his father, Samuel Shepard Rogers Jr. (1917–1984), but was called Steve Rogers. His father was a teacher and farmer who served in the United States Army Air Forces as a bomber pilot during World War II. Shepard characterized his father as "a drinking man, a dedicated alcoholic". His mother, Jane Elaine, was a teacher and a native of Chicago. Shepard worked on a ranch as a teenager. After graduating from Duarte High School in Duarte, California in 1961, he briefly studied animal husbandry at nearby Mt. San Antonio College. While at college, Shepard became enamored of Samuel Beckett, jazz, and abstract expressionism. He dropped out to join the Bishop's Company, a touring repertory group. Career: Writing - Shepard moved to New York City in 1963 and found work as a busboy at the Village Gate nightclub. The following year, the Village Gate's head waiter, Ralph Cook, founded the experimental stage company Theater Genesis, housed at St. Mark's Church in-the-Bowery in Manhattan. Two of Shepard's earliest one-act plays, "The Rock Garden" and "Cowboys", debuted at Theater Genesis in October 1964. It was around this time that Steve Rogers adopted the professional name Sam Shepard. In 1965, Shepard's one-act plays Dog and The Rocking Chair were produced at La MaMa Experimental Theatre Club. These were the first of many productions of Shepard's work at La MaMa during the 1960s, 1970s, and 1980s. In 1967, Tom O'Horgan directed Shepard's Melodrama Play alongside Leonard Melfi's Times Square and Rochelle Owens' Futz at La MaMa. In 1969, Jeff Bleckner directed Shepard's play The Unseen Hand at La MaMa. The Unseen Hand later influenced Richard O'Brien's musical The Rocky Horror Show. Bleckner then directed The Unseen Hand alongside Forensic and the Navigators at the nearby Astor Place Theater in 1970. Shepard's play Shaved Splits was directed at La MaMa in 1970 by Bill Hart. Seth Allen directed Melodrama Play at La MaMa the following year. In 1981, Tony Barsha directed The Unseen Hand at La MaMa. The production then transferred to the Provincetown Playhouse and ran for over 100 performances. Syracuse Stage co-produced The Tooth of Crime at La MaMa in 1983. Also in 1983, the Overtone Theatre and New Writers at the Westside co-produced Shepard's plays Superstitions and The Sad Lament of Pecos Bill on the Eve of Killing His Wife at La MaMa. John Densmore performed in his own play Skins and Shepard and Joseph Chaikin's play Tongues, directed as a double bill by Tony Abatemarco, at La MaMa in 1984. Nicholas Swyrydenko directed a production of Geography of a Horse Dreamer at La MaMa in 1985. Several of Shepard's early plays, including Red Cross (1966) and La Turista (1967), were directed by Jacques Levy. A patron of the Chelsea Hotel scene, he also contributed to Kenneth Tynan's Oh! Calcutta! (1969) and drummed sporadically from 1967 through 1971 with the band The Holy Modal Rounders, appearing on their albums Indian War Whoop (1967) and The Moray Eels Eat The Holy Modal Rounders (1968). After winning six Obie Awards between 1966 and 1968, Shepard emerged as a screenwriter with Robert Frank's Me and My Brother (1968) and Michelangelo Antonioni's Zabriskie Point (1970). Cowboy Mouth, a collaboration with his then-lover Patti Smith, was staged at The American Place Theatre in April 1971, providing early exposure for Smith, who became a well-known musician. The story and characters in Cowboy Mouth were inspired by Shepard and Smith's relationship. After opening night, he abandoned the production and fled to New England without a word to anyone involved. Shortly thereafter, Shepard relocated with his wife and son to London. While in London, he immersed himself in the study of G.I. Gurdjieff's Fourth Way, a recurring preoccupation for much of his life. Returning to the United States in 1975, he moved to the 20-acre Flying Y Ranch in Mill Valley, California, where he raised a young colt named Drum and rode double with his young son on an appaloosa named Cody. Shepard continued to write plays and served for a semester as Regents' Professor of Drama at the University of California, Davis. Shepard accompanied Bob Dylan on the Rolling Thunder Revue of 1975 as the screenwriter for Renaldo and Clara that emerged from the tour. However, because much of the film was improvised, Shepard's work was seldom used. Rolling Thunder Logbook, his diary of the tour, was published in 1978. A decade later, Dylan and Shepard co-wrote the 11-minute song "Brownsville Girl", included on Dylan's 1986 album Knocked Out Loaded and on later compilations. In 1975, Shepard was named playwright-in-residence at the Magic Theatre in San Francisco, where he created many of his notable works, including his Family Trilogy. One of the plays in the trilogy, Buried Child (1978), won the Pulitzer Prize, and was nominated for five Tony Awards. This marked a major turning point in his career, heralding some of his best-known work, including True West (1980), Fool for Love (1983), and A Lie of the Mind (1985). A comic tale of reunion, in which a young man drops in on his grandfather's Illinois farmstead only to be greeted with indifference by his relations, Buried Child saw Shepard stake a claim to the psychological terrain of classic American theater. True West and Fool for Love were nominated for the Pulitzer Prize. Some critics have expanded the trilogy to a quintet, including Fool for Love and A Lie of the Mind. Shepard won a record-setting 10 Obie Awards for writing and directing between 1966 and 1984. In 2010, A Lie of the Mind was revived in New York at the same time as Shepard's new play Ages of the Moon opened there. Reflecting on the two plays, Shepard said that the older play felt "awkward", adding, "All of the characters are in a fractured place, broken into pieces, and the pieces don't really fit together," while the newer play "is like a Porsche. It's sleek, it does exactly what you want it to do, and it can speed up but also shows off great brakes." The revival and the new play also coincided with the publication of Shepard's collection Day out of Days: Stories. The book includes "short stories, poems and narrative sketches... that developed from dozens of leather-bound notebooks Shepard carried with him over the years." Acting - Shepard began his film acting career when cast in a major role as the land baron in Terrence Malick's Days of Heaven (1978), opposite Richard Gere and Brooke Adams. This led to other important film roles, including that of Cal, Ellen Burstyn's character's love interest in Resurrection (1980), and, most notably, Shepard's portrayal of Chuck Yeager in The Right Stuff (1983). The latter performance earned Shepard an Academy Award nomination for Best Supporting Actor. By 1986, Fool for Love was adapted by Robert Altman with Shepard in the lead role; A Lie of the Mind was being performed Off-Broadway (with Harvey Keitel and Geraldine Page); and Shepard was working steadily as a film actor. Together, these achievements put him on the cover of Newsweek. Over the years, Shepard taught extensively on playwriting and other aspects of theater. He gave classes and seminars at various theater workshops, festivals, and universities. Shepard was elected to the American Academy of Arts and Letters in 1986, and was elected a Fellow of the American Academy of Arts and Sciences in 1986. In 2000, Shepard demonstrated his gratitude to the Magic Theatre by staging The Late Henry Moss as a benefit for the theatre, in San Francisco. The cast included Nick Nolte, Sean Penn, Woody Harrelson, and Cheech Marin. The limited, three-month run was sold out. In 2001, Shepard played General William F. Garrison in the film Black Hawk Down. Although he was cast in a supporting role, Shepard enjoyed renewed interest in his talent for screen acting. Shepard performed Spalding Gray's final monologue Life Interrupted for the audiobook version, released in 2006. In 2007, Shepard contributed banjo to Patti Smith's cover of Nirvana's song "Smells Like Teen Spirit" on her album Twelve. Although many artists had an influence on Shepard's work, one of the more significant was Joseph Chaikin, a veteran of The Living Theatre and founder of The Open Theater. The two worked together on various projects, and Shepard has stated that Chaikin was a valuable mentor. In 2011, Shepard starred in the film Blackthorn. His final film appearance is Never Here, which premiered in June 2017 but had been filmed in 2014. Shepard also appeared in the television series Bloodline from 2014 to 2017. Directing - At the beginning of his career, Shepard did not direct his own plays. His early plays had a number of different directors, but were most frequently directed by Ralph Cook, the founder of Theatre Genesis. Later, while living at the Flying Y Ranch, Shepard formed a successful playwright-director relationship with Robert Woodruff, who directed the premiere of Buried Child (1982). During the 1970s, Shepard decided that his vision for his plays required him to direct them himself. He directed many of his own plays from that point onward. With only a few exceptions, he did not direct plays by other playwrights. He also directed two films but reportedly did not see film directing as a major interest. Personal life - When Shepard first arrived in New York City, he roomed with Charlie Mingus, Jr., a friend from high school and the son of jazz musician Charles Mingus. He then lived with actress Joyce Aaron. From 1969 to 1984, he was married to actress O-Lan Jones, with whom he had one son, Jesse Mojo Shepard (born 1970). From 1970 to 1971, Shepard was involved in an extramarital affair with musician Patti Smith, who remained unaware of Shepard's identity as a multiple Obie Award-winning playwright until it was divulged to her by Jackie Curtis. Smith said "Me and his wife still even liked each other. I mean, it wasn't like committing adultery in the suburbs or something." Canadian singer-songwriter Joni Mitchell wrote two songs about her affairs with Shepard during Bob Dylan's Rolling Thunder Revue tour of 1975. In "Coyote", from her eighth studio album Hejira, she recounts Shepard's seduction of her at a period while he was both married and having an extramarital affair with the tour manager Christine O’Dell with the lines “He’s got a woman at home, another woman down the hall, but he seems to want me anyway”. Meanwhile, in "Don Juan's Reckless Daughter", written during the same tour, Mitchell referenced the closeness between their birthdays, calling them "twins of spirit". Shepard met actress Jessica Lange on the set of the 1982 film Frances, in which they were both acting. He moved in with her in 1983, and they were together for 27 years; they separated in 2009. They had two children, Hannah Jane Shepard (born 1986) and Samuel Walker Shepard (born 1987). In 2003, Shepard's elder son, Jesse, wrote a book of short stories, and Shepard appeared with him at a reading at City Lights Bookstore. In 2014 and 2015, Shepard dated actress Mia Kirshner. After a turbulent trip on an airliner returning from Mexico in the 1960s, he apparently vowed never to fly again. Despite this longstanding aversion to flying, Shepard allowed Chuck Yeager to take him up in a jet plane in 1982 in preparation to play the pilot in the film The Right Stuff. Shepard cited his fear of flying as a source for a character in his 1966 play Icarus's Mother. His character went through an airliner crash in the film Voyager. In the early morning hours of January 3, 2009, Shepard was arrested and charged with speeding and drunk driving in Normal, Illinois. He pleaded guilty to both charges on February 11, 2009, and was sentenced to 24 months probation, alcohol education classes, and 100 hours of community service. On May 25, 2015, Shepard was arrested again in Santa Fe, New Mexico for aggravated drunk driving. Those charges were later dismissed as having no likelihood of success at trial. His 50-year friendship with Johnny Dark, stepfather to O-Lan Jones, was the subject of the 2013 documentary Shepard & Dark by Treva Wurmfeld. A collection of Shepard and Dark's correspondence, Two Prospectors, was also published that year. Death - Shepard died at his home in Midway, Kentucky, at the age of 73, from complications of amyotrophic lateral sclerosis (ALS). Patti Smith paid homage to their long collaboration in The New Yorker. Fellow actor Matthew McConaughey learned of Shepard's death during a TV interview and was shocked by the news, ending the interview saying "See you in the next one, Sam". Nov 5, 1943 - Jul 27, 2017 (complications of ALS)
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Post by t-bob on Nov 2, 2022 18:33:04 GMT -5
This political/whining/racist thread has been so weird. I think almost everybody should relax and stop the inefficient communication.
I should and will relax better
The communication 🤷♂️🤷♂️
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Post by t-bob on Nov 2, 2022 12:59:51 GMT -5
"Communication is imperfect"
doh
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Post by t-bob on Nov 1, 2022 21:49:44 GMT -5
Bob, on a different day I might respond, but it's a trying day on the forum and I don't want to encourage any more political fracases. I have seen so many articles about this "hammer violent drama" and I don't think about political issues. Most of this group has a lot of people's judgements "political fields" There's a lot of Pelosi articles had wrote a smidge of political issues Perhaps I'll do it - repetitive - another day when there's no political issue.
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Post by t-bob on Nov 1, 2022 13:45:52 GMT -5
Rooney Report
Hammer Man: The man who broke into Nancy Pelosi’s San Francisco home intended to break the House Speaker’s kneecaps, authorities say. Instead, the assailant encountered Pelosi’s 82-year-old husband, Paul, fracturing his skull. Pelosi was able to call 911 from a bathroom and police entered the house just as the two men were struggling over a hammer. Pelosi was struck in the presence of the cops. David DePape, 42, is charged in federal court with attempting to kidnap Ms. Pelosi and assaulting the relative of a federal official. He had “a roll of tape, white rope, a second hammer, a pair of rubber and cloth gloves, and zip ties” according to the US attorney’s office for the Northern District of California. DePape is also being charged in state court with attempted murder, residential burglary, assault with a deadly weapon, and more. Prosecutors say DePape was looking for Ms. Pelosi, who was in Washington at the time, to question the speaker about political matters, according to the federal complaint. DePape told police officers that if Pelosi told the “truth,” he would let her go, but if she “lied,” he would break her kneecaps — forcing her to be wheeled into Congress as a lesson to other Democrats. Various announcement say Paul Pelosi will recover, but he’s still in intensive care recovering from a broken skull.
Below the Fold: Paul Pelosi had barely hit the floor in his San Francisco home before right wingers were launching lies and conspiracy theories about what happened in the botched attempt to attack Nancy Pelosi. Police said Paul Pelosi was in a pajama top and boxer shorts, spawning the theory that the encounter was really a meeting with a gay prostitute. Donald Trump Jr. posted a picture pair of his baggy white underpants and a hammer on twitter with the caption “Got my Paul Pelosi Halloween costume ready.” Have you ever noticed that Don Jr. has no chin?
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Post by t-bob on Oct 31, 2022 12:57:07 GMT -5
I watched the TOP GUN: MAVERICK in my computer - streaming - $4.99...... I watched that fighter thrills..... I'm glad I didn't come to a movie - popcorn, candy, coke - $25 approx. The dialogue was ( ) .........(*) or ( * )
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Post by t-bob on Oct 30, 2022 18:17:55 GMT -5
I heard that Tarkington is on the injured reserve list. < Tarkenton >< TalkingTon > the Minnesoda Newspaper Speeling Editur a smidge humour
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Post by t-bob on Oct 30, 2022 17:49:36 GMT -5
It was a mediocre story. It was a silly movie.
All the iconic scenes copied religiously Bad bad bad storyline The stupid wrench on the plane in the hanger..... Same stupid borrowed from the Fast and the Furious franchise.... Walking into an Enemy airbase? Literally just walking in? And having the old US made jet just lying there ready to fly? And everything on the jet almost working? They're just following the business plan up in Hollywood corporate..... It's not about making movies anymore..... It about making money that's all. It just amazes me with such huge budgets what garbage they're throwing out these days. So disappointing..... I honestly don't know why I didn't think it was going to be bad..... The original movie is still a better fighter jet movie with all the dog fight scenes...
I couldn’t squeeze out one tear for this overdone cliche of an event movie. The dialogue, the scenarios and situations were all so derivative it made my teeth hurt. Tom Cruise is the Donald Trump of movie stars in that anyone will follow him regardless of where he is going. Jon Hamm was ridiculous, Ed Harris looked duped and Jennifer Connelly was just wasted. If you like vapid retreads then this is for you. One star for the amazing jet sequences.
Some nostalgic throwback with Cruise trying to channel Goose and some remade scenes with looks longing for the past -- And this weird frigging scene with Val "Stephen Hawking" Kilmer and a keyboard -- I felt embarrassed for Kilmer doing that scene -- He must need the wedge badly.
One of the worst films I’ve ever seen. The Military type action and cinematography is pretty cool—and I’m not even really into fighter jet stuff—but that’s a small part of the film, and the rest of it—storyline, plot, dialogue, the characters, etc—is so bad that the group I was with (all in our late forties, teenagers back when the original came out) couldn’t help but laugh at everything happening. I don’t get how this movie is getting rave reviews, though it shouldn’t surprise me I guess, given the zero substance superficial world we live in today...
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Post by t-bob on Oct 27, 2022 11:05:03 GMT -5
Congratulations for the Marty Day
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Post by t-bob on Oct 26, 2022 16:28:00 GMT -5
Congrats ex-Colonel Paul - Happy Birthday - another day - eh?
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Post by t-bob on Oct 26, 2022 14:37:29 GMT -5
Second time......
I was dealing with my government for almost whole day……… And I decided to work a little bit. But I was incredibly tired. I did work not very good
Now I'm not working at all Of course I'm supposed to be retired but I can't be retired
A shrug......
And I used to love this forum
Adios
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Post by t-bob on Oct 26, 2022 11:12:45 GMT -5
Good morning. I just went to the mirror. I'm not sure why I did that. Here's a little smile. Enjoy your days.
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Post by t-bob on Oct 24, 2022 11:33:34 GMT -5
Congratulations for the two teams.
The Yankees didn't the "28" champions yet. It's always the next season......
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Post by t-bob on Oct 20, 2022 23:03:17 GMT -5
I have a feeling that the Houston will probably be Kings..... The Yankees are pretty good but they're not good enough
They're already two up.....
I am Yank and the New Yorker
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Post by t-bob on Oct 19, 2022 18:35:17 GMT -5
Oh, and I don’t recall a team called the Bombers either. The Bronx Bombers Their most commonly used "unofficial" nickname is "the Bronx Bombers", or simply "the Bombers". This nickname was given to them by the press a long time ago. It refers to their ability to hit home runs a lot (a home run is sometimes called a "bomb").
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Post by t-bob on Oct 18, 2022 22:58:52 GMT -5
Obviously I will cheers for the Bombers. That's where ....I'm from East Coaster. Two of the teams moved to the Pacific ocean. It took me almost 20 years to live to the other Coast. Always be a Yankee.
Playoffs Series always has great players and games. The top cream (players) and the "sour milks" eat peanuts/beer couch in the shaggy carpet basement. I have a feeling that the Houston will probably be Kings..... The Yankees are pretty good but they're not good enough..... Always be a Yankee
Yankees win or lose Enjoy for good games oh oh Always be a Yank
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Post by t-bob on Oct 18, 2022 19:38:45 GMT -5
Congratulations and praise - the Bombers !!
In the early going Tuesday afternoon, the Yankees pointed themselves toward Houston and never looked back. Giancarlo Stanton’s first-inning three-run homer was followed by a second inning shot by Aaron Judge, giving Nestor Cortes – starting on short rest – plenty of positive momentum. And when Wandy Peralta sealed a 5-1 victory over the Cleveland Guardians, the celebration was on at Yankee Stadium. Climbing their way back from a 2-1 deficit in games, the Yankees – behind Gerrit Cole - won Sunday’s potential elimination Game 4 at Cleveland and handily won Game 5 in the Bronx. Now, it’s on to Minute Maid Park for the best-of-seven AL Championship Series, beginning Wednesday night.
This is the third time since 2017 that the Astros and Yankees have met in the ALCS, with Houston winning both previous series.
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Post by t-bob on Oct 18, 2022 17:00:22 GMT -5
Indian outlet on defensive after its explosive claims of Meta political censorship The Wire is investigating its own reporting. It had alleged Instagram let the ruling party tamper with posts.
By Gerry Shih, Niha Masih, Joseph Menn and Naomi Nix October 18, 2022 at 1:52 p.m. EDT
A man uses a smartphone in Mumbai. (Dhiraj Singh/Bloomberg News)
NEW DELHI — Last week, The Wire, a small but gutsy Indian news outlet, seemed to land one explosive punch after another on Meta, the social media giant that owns Instagram and Facebook. The California company had given an influential official from India’s ruling party the extraordinary power to censor Instagram posts that he didn’t like, The Wire reported, citing a document leaked by a Meta insider. A day later, The Wire reported that Meta executives were scrambling to find the mole who leaked the story, citing a new internal email the publication had obtained. Are you on Telegram? Subscribe to our channel for the latest updates on Russia’s war in Ukraine.
Finally, after Meta executives denied both reports on social media — and, in an unusual move, insisted that The Wire’s documents appeared fabricated — The Wire released a lengthy rebuttal on Saturday that the outlet said would lay to rest any doubts about its reporting. Story continues below advertisement
It did not. Instead, The Wire is now investigating itself. The publication said Tuesday it launched an internal review of its stories about Meta, adding a new twist to a sensational dispute between a reputed Indian news organization and a powerful Silicon Valley company — a clash that has captivated the technology and media industries in both India and the United States. The investigation came after a bitter week during which Meta and The Wire accused each other of fabrication. But Wire editors were pressed to review their work after technology experts in both countries pointed out a mounting list of apparent discrepancies in videos and emails that the outlet had presented as proof of its reporting. Story continues below advertisement
The final straw came Tuesday. One of the experts that Wire journalists said had served as a technical consultant said that he never helped with the outlet’s reporting. The expert, Kanishk Karan, told The Washington Post that he was informed that Wire staffer Devesh Kumar had showed his boss, Wire founding editor Siddharth Varadarajan, an email from Karan that supported Kumar’s reporting. But Karan had never sent that email, he said. Karan did not accuse Kumar of fabricating the email. But, he said: “I don’t know who created it. It is a fake impersonation of me used in the story without my knowledge or consent.” Kumar said, “I have no clarity as to what happened between Kanishk and I, but I will get to the bottom of it. … I’m not hiding something.” Story continues below advertisement
In a statement, The Wire said, “In the light of doubts and concerns from experts about some of this material, and about the verification processes we used — including messages to us by two experts denying making assessments of that process directly and indirectly attributed to them in our third story — we are undertaking an internal review of the materials at our disposal.” It added that it would remove its stories “from public view.” With a staff of about two dozen people, The Wire has often been lauded as a rare voice of journalistic courage at a time when many Indian outlets, particularly television networks, hew close to the government’s line. And Varadarajan, the editor, was seen not only as a thorn in the government’s side but also a probable target of surveillance. In 2021, forensic analysis conducted by Amnesty International found that Varadarajan’s phone was infected with the Pegasus spyware, which is sold only to government clients. (The Wire was a reporting partner with The Washington Post and other news organizations in the Pegasus Project, a global investigation of government spyware, last year.) Story continues below advertisement
The growing questions about The Wire’s integrity and accuracy have damaged the credibility “of an independent and trusted news platform that India needs today,” said Apar Gupta, head of the Internet Freedom Foundation in New Delhi. “This outcome is tragic,” Gupta said, “because it has focused public energy [more] on fact-checking The Wire than continuing the need for human rights assessments of Silicon Valley platforms.” The saga has been particularly charged in India because it touches one of the biggest criticisms Silicon Valley has faced in recent years — that powerful companies, including Meta, have abetted abuse and disinformation around the world and facilitated censorship by authoritarian governments. Story continues below advertisement
In India, a massive and important internet market, Meta has for years been accused of turning a blind eye to hate speech made by government supporters against India’s religious minorities, particularly Muslims. Meta has also been accused of being overly deferential toward the government when it comes to content moderation decisions. In 2020, a top Meta executive in India resigned after the Wall Street Journal reported that she warned her staff against enforcing hate-speech rules upon Hindu nationalist figures linked with Prime Minister Narendra Modi’s Bharatiya Janata Party (BJP). The Wire seemed to confirm those long-standing suspicions when it published a damning story on Oct. 10 alleging Meta gave special privileges to Amit Malviya, who heads the BJP’s IT department and social media efforts, as part of the company’s internal “cross-check” program, which shields VIP users from usual speech enforcement procedures. According to The Wire, Instagram records leaked by a Meta employee showed that Instagram removed a post satirizing a BJP politician simply because it had been reported by Malviya
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